{"id":5677,"date":"2019-06-16T13:30:03","date_gmt":"2019-06-16T13:30:03","guid":{"rendered":"https:\/\/schoolshistory.org.uk\/topics\/?p=5677"},"modified":"2019-06-15T13:56:31","modified_gmt":"2019-06-15T13:56:31","slug":"david-field-discusses-his-novels-set-in-tudor-england","status":"publish","type":"post","link":"https:\/\/schoolshistory.org.uk\/topics\/david-field-discusses-his-novels-set-in-tudor-england\/","title":{"rendered":"David Field discusses his novels set in Tudor England"},"content":{"rendered":"

David Field is an established author of historical fiction. His work to date includes a series of crime fiction novels set in Victorian London; a current series of books set in Tudor England of which books two of the six-part series is currently available and; a forthcoming series based around the Norman Invasion of England. David’s interview shows that he has a passion for putting life into characters who are often well known historical figures.\u00a0<\/strong><\/p>\n

What makes the Tudor period interesting to you?<\/h3>\n

Like most school students, I found that the tudor era<\/a> leapt from the pages because of its human drama. A fat king with six wives, a virgin queen who sent the Spanish Armada packing, and all the colourful characters around the throne \u2013 Wolsey, Cromwell, Cecil, Drake<\/a> and so on. The costumes, the pageantry, the excesses \u2013 the sheer pizzazz of it all, that not even uninspired teachers could diminish.<\/p>\n

The Tudor era is a period for which many readers will have preconceived ideas. Are you conscious of this when planning your novels?
\nYes and no. I am aware of what others will have learned as well as me \u2013 the bare bones of dates, events and so on. The challenge for me is to reach behind the preconceptions and lift out the real people \u2013 a bit like taking a photograph from a frame and reading what\u2019s written on the back of it. I was particularly conscious of clich\u00e9 demolition when I wrote about Henry VII<\/a>, Wolsey and Cromwell (\u2018the miser\u2019, \u2018the vainglorious priest\u2019 and \u2018the thug in a doublet\u2019 respectively). They were three-dimensional human beings with personalities, ambitions, emotions and reasons for doing what they did, now imprisoned in the cold typeface of academic tomes that students memorise in order to \u2018cram\u2019 for exams. They deserve a better literary tombstone than that.<\/p>\n

\"David<\/p>\n

Find out more about Tudor Dawn: Henry Tudor is ready to take the crown…, here<\/a>.<\/p>\n

What lengths do you have to go to in order to ensure that the historical aspects of your work are accurate?<\/h3>\n

I begin with the unassailable facts regarding which there has never been any scholarly dissent (e.g. dates of accession and death) then paint in between the outlines without altering them in any way. I\u2019m not a great fan of \u2018alternative history\u2019, because enough inaccuracies surround the original, so I take what is known and ask \u2018why\u2019? Why, for example, was Wolsey so proud, vainglorious and fond of the outward trappings of success? Because he was despised for his lowly origins as the son of a butcher. I haven\u2019t altered a known historical fact, but I\u2019ve employed a little \u2018thinking outside the square\u2019 in order to breathe life into the man, with his appealing human failings underneath his Cardinal\u2019s soutane. It\u2019s well known that Wolsey had an enemy in Thomas Howard, 3rd Duke of Norfolk, and given that they were the same age, and grew up in adjoining counties in East Anglia, why not make them schoolboy enemies? Have I destroyed the very fabric of English history? I don\u2019t think so \u2013 I\u2019ve merely given the kiss of life to the cardboard cut-outs of the history textbook.<\/p>\n

Which of the Tudors is your favourite, and why?<\/h3>\n

Definitely Thomas Cromwell. Everyone loves a villain, and his ability to survive all the intrigue of the Court of Henry VIII speaks volumes for his gutter skills. Again, as the son of a Putney blacksmith he needed to be devious, amoral and treacherous, as well as hugely gifted, in order to rise above the perfumed sycophants, and his downfall \u2013 like Wolsey\u2019s \u2013 was his inability to see how badly he was about to piss off his protector and patron Henry. He\u2019s sometimes (e.g. by Hilary Mantel) recognised for his warm human side, but his actions speak for themselves. Ask any Sixteenth Century monk.<\/p>\n

How do you balance the fiction and the fact?<\/h3>\n

I\u2019ve already alluded to this. I never \u2018bend\u2019 a single established fact \u2013 except perhaps when making Jane Rochford more of a whore than she probably really was. What I do is to keep within the accepted lines and add the colour, the depth, the human dimension. Everyone knows that England was ill-prepared for the Spanish Armada<\/a> that was known to be on its way, but how did it feel to actually be there facing the approach of the greatest floating army the world had ever witnessed, with only a few reformed pirates to defend you? How did Jane Grey feel about being thrust onto the throne of England? I was altering nothing by giving her a fictional lifelong friend in whom she could confide.<\/p>\n

What is your planning process?<\/h3>\n

I\u2019m not sure I have one, other than lying back in my recliner chair and putting my character into the scene that unfolds in my head until I can almost smell it. It helps that another of my lifelong hobbies has been amateur dramatics, since all actors are trained to \u2018get into character\u2019. Once the scene opens up in my head I climb into the appropriate costume and play the part as I feel it. For example, there\u2019s a scene in \u2018The King\u2019s Commoner\u2019 in which Wolsey pauses briefly during his lonely stroll through a royal garden in order to break wind. He was a lover of rich foods, so why wouldn\u2019t he? Later I gave him a duodenal ulcer to hasten his physical deterioration prior to his obscure death in Leicester on his way south under escort to the Tower. However, I drew the line at the mental image I\u2019d formed of Anne Boleyn picking her nose \u2013 I\u2019m sure she did, but it didn\u2019t quite accord with the character of her that I\u2019d identified as the doyen and trendsetter of Courtly etiquette.<\/p>\n

\"David<\/p>\n

Find out more about Kings Commoner: The rise and fall of Cardinal Wolsey, here<\/a>.<\/p>\n

Do you think that historical fiction can help young adults better understand history?<\/h3>\n

Without a doubt. I\u2019m a great fan of TV\u2019s \u2018Horrible Histories\u2019 series, and an admirer of Terry Deary\u2019s books that inspired it. Take the simple example of the sketch in which a father is trying to recruit his young son into the family business of \u2018gong farming\u2019. We too easily accept that the only means of transport in Tudor times was on horseback, without appreciating the amount of dung this left on the streets, to reach epidemic proportions in Victorian London.<\/p>\n

Who are your favourite authors?<\/h3>\n

No surprises here. Hilary Mantel for her courageous psychoanalysis of Thomas Cromwell, and Ken Follett for his unflagging portrayal of the lives of ordinary people against the backdrop of real events in history.<\/p>\n

What plans have you for your writing?<\/h3>\n

I already have a series of eight published novels behind me that involve crime in Victorian London, and the same publisher has just released the first two in my six book series on the Tudor age, \u2018Tudor Dawn\u2019 (Henry VII) and \u2018The King\u2019s Commoner\u2019 (Thomas Wolsey). Another publisher has another series of three crime stories on the launch pad that feature the working life of a Tudor Constable. Also in a publisher\u2019s WIP is a series of four novels depicting the conquest of England by the Normans from a Saxon perspective. What must it have felt like to stand on a hill overlooking Pevensey beach in 1066 and see the invasion fleet on its way in? I also have novels set during the Civil War and The Great War awaiting acceptance by publishers.<\/p>\n

What tips do you have for aspiring writers?<\/h3>\n

Courage, determination, undying faith in your abilities, humility, a willingness to take constructive criticism for what it is, and a magic wand. Somewhere out there is an agent or a publisher who wants what you have written \u2013 all you have to do is find them. Nothing new in any of this, but I\u2019ve lived it, and it\u2019s all true, folks. Personally I avoid literary agents, because most of them are only looking for the next J.K.Rowling. Try small \u2018indie\u2019 publishers, but target only those who invite the sort of stuff you\u2019ve already written.<\/p>\n

Author Page<\/h3>\n

David is a prolific author and has only touched on part of his work in this interview. You can find out more about him and his books via his Amazon Author page<\/a>.<\/p>\n

Author Interviews<\/h3>\n

Lindsay Littleson<\/a> – wonderfully constructed novels aimed at Primary School pupils, accompanied by teaching resources<\/p>\n

Chris Turnbull<\/a>\u00a0\u2013 a range of books largely set in the Victorian era, plus a World War Two novel and one set in late 19th century Paris<\/p>\n

David Pilling<\/a>\u00a0\u2013 the Longsword Series, set in the reign of Edward I<\/p>\n

Alex Marchant<\/a>\u00a0\u2013 stories suitable for Primary school children and KS3, set against the backdrop of Richard III\u2019s life<\/p>\n

Zenta Brice<\/a>\u00a0\u2013 a story based in Latvia as the Soviet Regimes grip on the Baltic loosened<\/p>\n

Jeri Westerson<\/a>\u00a0\u2013 an author in 3 genres, most relevant here are the Crispin Guest novels, described by Jeri as Medieval Noir<\/p>\n

Simon Schama<\/a>\u00a0\u2013 an excerpt of a conversation about the way in which Historical Documentaries are produced<\/p>\n","protected":false},"excerpt":{"rendered":"

David Field is an established author of historical fiction. His work to date includes a series of crime fiction novels set in Victorian London; a current series of books set in Tudor England of which books two of the six-part series is currently available and; a forthcoming series based around the Norman Invasion of England.… <\/p>\n","protected":false},"author":1,"featured_media":5678,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[8333],"tags":[],"class_list":["post-5677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-author-interviews"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t